Rózsa’s melodic gifts... are well served by the lyrical sensitivity of Roman Simovic, with his clear, warm tone...Simovic bustles splendidly through the busy, energetic finale. Simovic mixes power and lyricism ... magical in the quieter passages...he deftly negotiates the many abrupt switches of voice and character...Simovic’s tone is hushed and velvety, then positively grinding through the au talon double-stops of the più mosso. This is a magnificent performance.

... it is countered with fire and folksiness which Roman Simović dispatches with terrific aplomb. There is real fire in his bow.

Roman Simovic plays both concertos with great panache where needed, also finding just the right degree of warmth and rhythmic flexibility... the technical demands hold no terrors for him...

A real alternative to Jascha Heifetz recording... a nocturnal hue overflows and gives a certain nostalgia to the whole of this beautiful proposition where the sumptuous sonority of the first violin of the LSO is adorned with a fuliginous sfumato

...LSO Live is putting its super soloist in the spotlight: the formidable Roman Simovic... the interpretation here is masterful with a sovereign Roman Simovic who combines the coherence of the overall vision, technical mastery and stylistic culture

... Roman Simovic... demonstrates a technique that is beyond reproach, enhanced by an extreme refinement of playing, refusing any purely demonstrative manner ... his performances are marked by the seal of authenticity and a naturalness that goes beyond virtuosity to establish a true atmosphere

Simovic's technique is flawless... He (Simovic) dispatches the numerous double and triple stop passages with disarming ease... Simovic spins a beautiful line, again tapping deeply into the music's spirit... Simovic's inward style is both impressive and affecting... This is first class music making...