Rózsa’s melodic gifts... are well served by the lyrical sensitivity of Roman Simovic, with his clear, warm tone...Simovic bustles splendidly through the busy, energetic finale.
Simovic mixes power and lyricism ... magical in the quieter passages...he deftly negotiates the many abrupt switches of voice and character...Simovic’s tone is hushed and velvety, then positively grinding through the au talon double-stops of the più mosso. This is a magnificent performance.
The Strad recommends
... it is countered with fire and folksiness which Roman Simović dispatches with terrific aplomb. There is real fire in his bow.
Gramophone
Roman Simovic plays both concertos with great panache where needed, also finding just the right degree of warmth and rhythmic flexibility... the technical demands hold no terrors for him...
BBC Music magazine
A real alternative to Jascha Heifetz recording... a nocturnal hue overflows and gives a certain nostalgia to the whole of this beautiful proposition where the sumptuous sonority of the first violin of the LSO is adorned with a fuliginous sfumato
Artalinna
...LSO Live is putting its super soloist in the spotlight: the formidable Roman Simovic... the interpretation here is masterful with a sovereign Roman Simovic who combines the coherence of the overall vision, technical mastery and stylistic culture
Crescendo Magazine
... Roman Simovic... demonstrates a technique that is beyond reproach, enhanced by an extreme refinement of playing, refusing any purely demonstrative manner ... his performances are marked by the seal of authenticity and a naturalness that goes beyond virtuosity to establish a true atmosphere
ON-Mag review
Simovic's technique is flawless... He (Simovic) dispatches the numerous double and triple stop passages with disarming ease... Simovic spins a beautiful line, again tapping deeply into the music's spirit... Simovic's inward style is both impressive and affecting... This is first class music making...
The Classic review
Upcoming
15 March 2025
Buenos Aires, Argentina
La Filarmónica de Buenos Aires
Baldur Brönnimann, conductor
Roman Simovic, soloist
Ysaÿe Caprice d'après l'étude en forme de valse de Saint-Saëns
Roman Simović, violin Vadim Kholodenko, piano
Gallery
Contact
Marina Mikić
University of Novi Sad
Serbia
simovic.office@gmail.com
Italian management
Furno Musik
Francesca Furno
furnomusik.it
furno@furnomusik.it
